NEW IN

LITERARY CRITICISM:

European

Divagations
Stéphane Mallarmé
Translated by Barbara Johnson
The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is Divagations has long been considered a treasure trove by students of aesthetics and modern poetry. This was the only book of prose that Mallarmé published in his lifetime and, in a new translation by Johnson, it is now available for the first time in English just as he arranged it, in all of its languor and musicality.
Paperback April 2009
Worlds Made by Words
Anthony Grafton
Hardcover March 2009
PHCC, 23, 2003
Edited by Bettina Kimpton
Edited by Matthew Knight
Amont other articles, this volume includes The Alans in the Iberian Peninsula and the Identification by Littleton and Malcor as the Milesians of the Lebor Gabála, Manuel Alberro; The ‘Gallic Disaster’: Did Dionysius I of Syracuse Order It?, Timothy Bridgman;.
Hardcover February 2009
Poems
Cristoforo Landino
Edited and translated by Mary P. Chatfield
Cristoforo Landino (1424–1498) was one of the great scholar-poets of the Renaissance. His most substantial work of poetry was his Three Books on Xandra. Also included in this volume is the Carmina Varia, a collection whose centerpiece is a group of elegies directed to the Venetian humanist Bernardo Bembo.
Hardcover December 2008
Baldo, Volume 2, Books XIII-XXV
Teofilo Folengo
Translated by Ann E. Mullaney
Folengo (1491–1544) was born in Mantua and joined the Benedictine order, but became a runaway monk and a satirist of monasticism. In 1517 he published, under the pseudonym Merlin Cocaio, the first version of his macaronic narrative poem Baldo. This edition provides the first English translation of this hilarious send-up of ancient epic and Renaissance chivalric romance.
Hardcover December 2008
Invectives
Francesco Petrarca
Translated by David Marsh
Petrarca, one of the greatest of Italian poets, was also the leading spirit in the Renaissance movement to revive ancient Roman language and literature. Petrarch’s four Invectives, written in Latin, were inspired by the eloquence of the great Roman orator Cicero. The new translations in this volume include the first English translation of three of the four invectives.
Paperback September 2008
PHCC, 22, 2002
Edited by Kathryn Izzo
Edited by Katharine Olson
Among other articles, this volume includes Toward a Breton Musical Patrimony, Paul-Andre Bempéchat; Celts and Hyperboerans, Timothy Bridgman; The Sea as an Emotional Landscape, Mairi Sine Chaimbeul.
Hardcover September 2008
Benjamin's -abilities
Samuel Weber
In this book, Weber, a leading theorist on literature and media, reveals a new and productive aspect of Benjamin’s thought by focusing the critical suffix “-ability” that Benjamin so tellingly deploys in his work. The result is an illuminating perspective on Benjamin’s thought by way of his language—and one of the most penetrating and comprehensive accounts of Benjamin’s work ever written.
Hardcover June 2008
Is Milton Better than Shakespeare?
Nigel Smith
Smith makes a compelling case for Milton’s relevance to our present situation. In direct and accessible terms, he shows how the seventeenth-century poet, while working to write the greatest heroic poem in the English language, also managed to theorize about religious, political, and civil liberty in ways that matter as much today as they did in Puritanical times.
Hardcover May 2008
Wellsprings
Mario Vargas Llosa
Hardcover May 2008
Essays and Dialogues
Bartolomeo Scala
Translated by Renée Neu Watkins
Introduction by Alison Brown
From humble beginnings, Scala (1430–1497) trained in the law and rose to prominence serving as secretary and treasurer to the Medicis and chancellor of the Guelf party before becoming first chancellor of Florence. This volume collects works from throughout his career that show his acquaintance with recently rediscovered ancient writers, and the influence of fellow humanists such as Marsilio Ficino, Aeneas Silvius Piccolomini (Pope Pius II), and Giovanni Pico della Mirandola.
Hardcover May 2008
Popular Front Paris and the Poetics of Culture
Dudley Andrew
Steven Ungar
Andrew and Ungar apply an evocative "poetics of culture" to capture the complex atmospherics of Paris in the 1930s. Rather than a straight story of the Popular Front, they have produced something closer to the format of an illustrated newspaper whose multiple columns represent the breadth of urban life during this critical decade at the end of the Third French Republic.
Paperback March 2008