SUBJECT INDEX:

LITERARY CRITICISM:

Affective Mapping: Jonathan Flatley; The surprising claim of this book is that dwelling on loss is not necessarily depressing. Instead, embracing melancholy can be a road back to contact with others and can lead people to productively remap their relationship to the world around them. Flatley demonstrates that a seemingly disparate set of modernist writers and thinkers showed how aesthetic activity can give us the means to comprehend and change our relation to loss.; Hardcover 2008

An American Procession: Alfred Kazin; In this illuminating study of the "crucial century" (1830-1930), Alfred Kazin views the major figures in American writing, beginning in the 1830s when Ralph Waldo Emerson founded a national literature on the basis of a religious revolution, and ending on the eve of the 1930s with modernism--Eliot, Pound, Hemingway, Fitzgerald--and with the revelation of the "postponed power" of those who had been modern before their time--Henry Adams, Melville, Whitman, Dickinson.; Paperback 1996

Augustine the Reader: Brian Stock; Augustine of Hippo, a central figure in the history of Western thought, is also the author of a theory of reading that has had a profound influence on Western letters from the ages of Petrarch, Montaigne, Luther, and Rousseau to Freud and our own time. Brian Stock provides the first full account of this theory within the evolution of Augustine's early dialogues, his Confessions, and his systematic treatises.; Hardcover 1996 / Paperback 1998

Christianity and the Transformation of the Book: Anthony Grafton; Megan Williams; Christianity and the Transformation of the Book combines broad-gauged synthesis and close textual analysis to reconstruct the kinds of books and the ways of organizing scholarly inquiry and collaboration among the Christians of Caesarea, on the coast of Roman Palestine. The book explores the dialectical relationship between intellectual history and the history of the book, even as it expands our understanding of early Christian scholarship.; Hardcover 2006 / Paperback 2008

Consciousness and the Novel: David Lodge; How does the novel represent consciousness? And how has this changed over time? In a series of interconnected essays, Lodge pursues these questions down various paths. In essays on Charles Dickens, E. M. Forster, Evelyn Waugh, Kingsley and Martin Amis, Henry James, John Updike, and Philip Roth, and in reflections on his own practice as a novelist, Lodge is able to bring to light--and to engaging life--the technical, intellectual, and sometimes simply mysterious working of the creative mind.; Hardcover 2002 / Paperback 2004

Leaves from Paradise: Edited by Jeffrey F. Hamburger; A pair of leaves recently acquired by Houghton Library presents an opportunity to examine the illuminated sequence composed in honor of John the Evangelist. The richly decorated fragments promise to transform our understanding of the special place of Christ’s “beloved disciple” in 14th-century art, liturgy, theology, and mysticism.; Paperback 2008

The Marks in the Fields: Edited by Rodney G. Dennis; Elizabeth A. Falsey, With; In celebration of the 50th anniversary of Harvard's Houghton Library in 1992, Curator of Manuscripts Rodney Dennis asked a stellar cast of critics, historians, and curators to write on items selected from the library's rich trove of manuscripts. The result was Marks in the Fields, which, in Dennis's words, combine to highlight "the natural patterns" found in manuscripts of all times and places, patterns that "go on occurring, everywhere and forever astonishing the mind."; Paperback 2005

Reading Berlin 1900: Peter Fritzsche; The great cities at the turn of the century were mediated by words--newspapers, advertisements, signs, and schedules--by which the inhabitants lived, dreamed, and imagined their surroundings. In this original study of the classic text of urban modernism--the newspaper page--Peter Fritzsche analyzes how reading and writing dramatized Imperial Berlin and anticipated the modernist sensibility that celebrated discontinuity, instability, and transience.; Hardcover 1996 / Paperback 1998

Writing Was Everything: Alfred Kazin; A deft blend of autobiography, history, and criticism, Writing Was Everything emerges as a reaffirmation of literature in an age of deconstruction and critical dogma. It stands as clear testimony to Kazin's belief that "literature is not theory but, at best, the value we can give to our experience, which in our century has been and remains beyond the imagination of mankind."; Hardcover 1998 / Paperback 1999